Holy Days, Holidays, & Christmas

Christmas was important to me even before I called myself a Christian, though admittedly, this was mainly for non-religious reasons. I’ve long suspected that I have always loved Christmas more than any other holiday, not because of its spirituality but because it purchased my affections. It’s true that I loved the music and the pageantry. The glow of the lights and the smell of evergreen seemed to transport me to another world. But it was the presents that clinched the deal. When it came to gifts, Christmas was the motherload. Far better than birthdays or any other holiday.

When I became a follower of Jesus, I expected the change to transform Christmas the same way it transformed the rest of my life. I assumed the season, which seemed magical to me already, would become transcendent. It did not. If anything, the change somehow managed to dim the glow.

Perhaps this was because of the church culture to which I had become attached. The church tradition I joined was what is commonly described as a “low” church. Apart from Christmas and Easter, we didn’t follow the church calendar. Even the attention paid to those two days seemed grudging at times. We were proud of this bare-faced approach that disassociated us from Roman Catholicism, with its robes, smoke, and long lists of feasts that never seemed to involve actual food.

Of course, we had our own list of special days and celebrations. So I suppose you could say they were feasts of a sort. There were potlucks and suppers, the annual Valentine’s day banquet, and a church meal after every funeral. There were also a vast variety of informal meals, usually related to specific events or the passing of the seasons. But, in retrospect, it occurs to me that most of these occasions were more social than religious.

Christmas, on the other hand, was overtly religious. By it, we aimed to celebrate the birth of Jesus Christ. We did this with a measure of reserve. There were a few decorations, but they were not elaborate. A handful of evergreen sprigs and the occasional wreath decked out with red and green ribbons were usually enough. Some churches, which would normally have eschewed putting up a Christmas tree in the sanctuary because of its pagan roots, even constructed a large tree-shaped scaffold for the choir and covered it with pine branches.

We hunger for the presence of God
but tend to confuse transendence with ambiance.

Christmas Eve was the only time we allowed candles in the sanctuary. Instead of lighting them for the dead like Catholics, we held them in our hands. We dimmed the lights and sang Silent Night as the wax dripped on the upholstery of the pew in front of us. I liked the flickering shadows but hated the song, not because of its content but for its familiarity. It bored me. As a rule, my tastes in Christmas music tended toward the medieval. I would rather sing Prudentius or some repurposed Gregorian chant.

The low church tradition in which I still worship appears to have overcome its reticence about candles and greenery. Advent candles, midnight services on Christmas eve, and strung lights are so common these days that we hardly notice the difference anymore. The church I currently attend piles so many Christmas trees into the place of worship that it feels like we are at a campground instead of in the sanctuary. I have even visited a church that broadcasts Chuck Berry singing “Run, run, Rudolph!” through loudspeakers outside its front door. On the stage in the auditorium where the congregation meets, a smoke machine generates a thin shekinah of mechanical fog.

As for me, my tastes in worship, like my tastes in Christmas music, tend toward the minor key. I have always felt a little envious of my high church friends who, when they lift their eyes in worship, see arches and stained glass instead of ductwork. I have wondered what it would be like to preach a sermon wearing vestments. It would be refreshing to attend a church that feels like a church instead of feeling like I am visiting a shopping mall, an office complex, or a repurposed grocery store. But God, I suspect, does not really care. Even the tabernacle, raised by divine command and meticulously constructed according to the pattern revealed to Moses on the holy Mountain, turned out to be only “a copy and shadow of what is in heaven” (Heb. 8:5).

We hunger for a sense of the presence of God. But tend to confuse transcendence with ambiance. In its worship practices, the church seems to struggle to find the happy medium between Puritan austerity and baroque gaudiness. This struggle is further complicated by differences in culture, style, and taste. Not every church celebrates Christmas the same. Indeed, as far as Scripture is concerned, we do not need to observe Christmas as a holy day at all. There is certainly no evidence in the New Testament that the first Christians did. In his book Ancient Christian Worship, Andrew McGowan contrasts “the colorful calendars of feasts, fasts, and saints that churches of the fourth and fifth centuries celebrated” with “the relative silence” of the New Testament on such matters.[1] The apostle Paul criticized the Galatians for “observing special days and months and seasons and years” (Gal. 4:10). In Colossians 2:16, he warned the Colossians not to let anyone judge them “with regard to a religious festival, a New Moon celebration or a Sabbath day.” Christmas, it would seem, is not the queen of days. We are free to observe it or not observe it as we wish.

God’s presence is more likely to show itself
on the periphery of our daily experience
than in the church sanctuary.

Meanwhile, when God’s presence does show itself, it is more likely to be on the periphery of our daily experience than in the church sanctuary. God seems to inhabit the corners and shadows, preferring the unnamed days of ordinary time to the high holy days from which we expect so much. He does not come with fanfare. But as the carol says, silently, and in the places where all our hopes and fears meet. “No ear may hear His coming, but in this world of sin, where meek souls will receive Him still, the dear Christ enters in.”

This is the message of Christmas. It is the old, old promise whispered in the Garden, shouted by the prophets, and trumpeted to shepherds on a hillside near Bethlehem. It is the good news that God has drawn near by taking on flesh in the person of Jesus Christ. He came with a real body to the real world. He came to die, rise, and will one day return. Only then will we know what it is like to experience God’s presence in its fullness.


[1] Andrew B. McGowan, Ancient Christian Worship, (Grand Rapids: Baker, 2014), 259.

Church Hunting: What People Want from Church

I know a couple of people who are in the process of looking for a new church. One is a family member who recently retired and has more time on her hands. The other is a friend who is moving to a different state. In both cases, I was reminded how much the search process feels like dating. It is exciting, uncomfortable, and most visits feel like a mismatch.

Continue reading “Church Hunting: What People Want from Church”

Monotone Worship

The worship wars are over. In church after church that I visit, we all seem to be singing the same handful of songs. To me they seem more like chants and shouted slogans than anything else. Melodically uninteresting and lyrically unimaginative, the music we are singing in the church these days isn’t composed, it is compiled. It feels more like the work of a committee than it does the creation of an artist. That’s because the songs we sing are often the result of a production process that might best be described as creation by committee. If you doubt this, count the number of names listed at the end when the song’s credit appears.

Instead of reflecting the personal faith experience and artistic skill of an individual, today’s church music has the feel of mass-produced goods of a marketing machine. There is plenty of enthusiasm. What is often missing is imagination and beauty. Today’s measure of what makes for good worship music rises no higher than the aesthetics of what used to be called top forty radio. As the teenagers observed on American Bandstand in the ’50s and ’60s, “It’s got a good beat, and it’s easy to dance to.” But the result of such an approach inevitably tends toward banality and cliché. This is true both for the music and the words that the music frames.

In an essay entitled “Thoughts about Music,” theologian Josef Pieper makes three observations about the music of the post-modern era, which also apply to much of the church’s music today. First, Pieper notes that the most common and pervasive feature of today’s music is its triviality. Pieper describes this sort of music as the kind whose primary function is entertainment and mood management. According to Pieper, its chief characteristics are “a happy sound” and a “numbing beat.” Second, Pieper observes that the music of the post-modern age is, “frequently selected and consumed as a means of personal enchantment, of escapism, of a certain pseudo-deliverance, and as a means to achieve delight that remains merely ‘skin-deep.’” Third, and most important, Pieper explains that post-modern music “lays bare man’s inner existential condition.” Or to put it in other words, the music of a culture exposes the soul of that culture.

We have been conditioned to believe that all cultural artifacts are morally neutral. We not only see music as amoral but as something whose value is so subjective that it cannot be criticized. In the practice of the church, this post-modern perspective has resulted in a kind of cultural tyranny which demands that worshipers embrace the latest musical style uncritically, no matter what its effect might be on their experience of worship. Some may dismiss Pieper’s observations because his mention of the beat is reminiscent of a kind of musical criticism that was once characteristic of certain branches of Fundamentalism and which condemned modern worship music for its “jungle beat” or employed a pseudo-scientific argument to warn of the psychological and spiritual effects of rhythm on the listener.

But this is not what Pieper is criticizing. His point is not about what music does to us but about what our music says about us. If the music we use to express ourselves in worship is trivial and sentimentalized, it is because our thoughts about God and the Christian life have become trivial and sentimentalized. The danger with this kind of worship is not merely that it exposes our shallowness to the world but that it reinforces that shallowness. George Orwell makes a point in his essay entitled “Politics and the English Language,” which seems pertinent here.  “A man may take to drink because he feels himself to be a failure, and then fail all the more completely because he drinks. It is rather the same thing that is happening to the English language. It becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier for us to have foolish thoughts,” Orwell notes.  

The aim of worship is not merely to express our feelings. It is also intended to shape our thinking. According to Ephesians 5:19, when the church sings together, it is talking to itself as well as to God. Colossians 3:16 speaks of psalms, hymns, and spiritual songs as modes of instruction and admonition. We serve God when we worship, but the music we use to worship with also serves us. My complaint about the church’s culture of contemporary worship is that it often does neither.

Instead of serving God, the worship of many churches inadvertently pushes God to the margins by employing music as a marketing tool. Rather than serving the congregation, our worship is aimed at those we want to visit the church. Our songs usually speak of God but often in a sentimentalized and even a narcissistic way, so that the message is more about us than it is about God. There is a place in worship for speaking of our own experience. The Old Testament book of Psalms often speaks in the first person. The Psalms also show that worship should have an emotional dimension. Nor is it wrong to hope that outsiders and seekers might sense God’s presence when the church worships. The problem here is one of perspective. The church’s marketplace culture objectifies God by treating the reality of His presence liking a commodity and using it to increase its share of the religious market.

At the same time, the church sends a mixed message about the importance of worship. Even as it spends considerable resources to put on a display that will attract people, so much so that in some churches the worship pastor can be paid more than the preaching pastor, church leaders are dismissive of congregational worship. Pastors often chide those who “only come to church to worship.” Such language gives the impression that congregational worship is the least important thing a church does and that those who make congregational worship the center of their week are self-centered spiritual deadbeats.

Ironically, the Greek terms that are the basis for the term “liturgy” originally referred to a work undertaken for the sake of the community. Apparently, worship is for the sake of people as much as it is for God. In the Greek translation of the Old Testament, these same terms were associated with the kind of service rendered by the priests and Levites. In Acts 13:2, this language is used to speak of the worship of the church at Antioch. The apostle Paul uses a different term in Romans 12:1 when he expands the New Testament idea of worship to speak of the offering of the whole self to God as a living sacrifice.

It is not just the tyranny of contemporary style that has flattened our corporate worship to a monotone; it is our view of worship itself. Congregational worship is not the least important thing the church does. Worship is the church’s primary vocation. Indeed, if the first article of the Westminster shorter catechism is correct, worship is humanity’s primary vocation, since “man’s chief end is to glorify God, and enjoy Him forever.”

The worship wars are indeed over, at least where the battle over musical style is concerned. But I am afraid that in the end, none of us is the victor.

John’s latest book Practicing the Present: The Neglected Art of Living in the Now (Moody Publishers) is now available from Amazon.com. Order your copy today.