I first felt a calling to preach when I was in my teens. To my surprise my mother, who was not a church going woman, beamed with pride when I told her about my intention. “Oh, Johnny,” she gushed, “you’d make a darling minister.” I did not want to mouth poetry in a clergyman’s tame frock. Camel’s hair and thundering declamation were more my style. I aspired to the prophet’s mantle.
The parallel between the preacher and the prophet is obvious. But prophet is not the only metaphor that should shape our pulpit ministry. There is also a priestly dimension. Priests, like prophets, exercised a ministry of God’s word (Lev. 10:11). The priest, however, differed from the prophet because he shouldered an additional burden, serving as the people’s advocate. Priests were not only “selected from among men” but were “appointed to represent them” (Heb. 5:1).
Like the priest, the preacher does not stand apart from those who hear but is called from among them in order to sympathize with them. Whenever we take our place before God’s people to declare his word, we also take upon ourselves this responsibility advocacy. We may stand above or before the congregation in order to be seen or for the sake of acoustics, but our true location is in their midst. We speak to the people but we are also for them.
The key to priestly advocacy is identification. This means that the priest/preacher functions as a kind of mediator, standing between the text and the congregation and listening to the word of God on their behalf. The prophetic nature of preaching gives us authority to make demands of the listener. But it is the priestly nature of preaching obligates us to make demands of the text. It compels us to take our cue from the patriarchs, the psalms and the apostles, as well as from the prophets, and ask God to justify himself: Will not the judge of the earth do right? How long, O Lord? Why have you afflicted us?
Our priestly responsiblity compels us to give voice to the silent questions that plague our listeners. Our prophetic obligation means that we will refuse to smooth out the sharp edges of the text. These two dimensions work in harmony.